SoftWave Releases “Will it ever be Christmas”

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SoftWave Releases “Will it ever be Christmas”

About the Xmas single…
2 years ago, SoftWave released their first ever Christmas song, ‘Will It Ever Be Christmas Again?’. It is probably the first time in Danish music history that a Danish Christmas synth-pop song has been released.

Leading up to the completion of their 2nd album “things we’ve done” which won silver at ISSA AWARDS 2024 in Atlanta, Jerry Olsen (SoftWave’s producer) sat in the studio and played with a bell sound, which captured him so much that it unintentionally ended up with the creation of SoftWave’s first Christmas song! With less than 2 months until December 1st, they chose to co-write with a former collaboration partner from Great Britain, Barney Ashton-Bullock.

He is a playwright, poet and
librettist in the project ‘Andy Bell is Torsten’ alongside Erasure’s Andy Bell (see p.3). Barney has previously invited SoftWave to produce 2 remixes for Andy Bell’s sold-out LP (‘Club Torsten’) which ended up on the UK OFFICIAL ALBUM CHARTS in the good company of Vince Clarke (founder of Erasure, Yazoo, Depeche Mode).

SoftWave are known for their uplifting electronic pop music that is inspired by classic English synth- pop with its prominent synthesiser sounds. In this Christmas song, SoftWave’s singer (Catrine Christensen) chose to duet with Barney, who also wrote the lyrics. Together they created the ultimate and most beautiful Christmas atmosphere, seasoned with Jerry’s delicious production and jingle bell sounds.


Jerry & Catrine deliver a sparkling glitter wrapped present for our delight, Catrine’s beautiful vocal overlays Jerry’s sublime backing, it’s a brand new song yet the feel of it seems to make you believe it’s a Christmas staple, welcoming & familiar, as if it’s been around forever. And then Barney’s vocal kicks in, bringing a whole new dimension.

”– Erasure4rum.com

SoftWave (bio)

SoftWave is a Danish synth-pop duo, established in 2014 by singer Catrine Christensen and producer
Jerry Olsen without any musical background. Their big visions, uplifting sound and catchy chorus
have taken them far. They have been recognised by great synth pioneers such as OMD, Andy Bell
(Erasure), Chris Payne (ex Visage), Ian Burden (ex Human League) and others.

SoftWave made two all new ‘Electro-Noir’ style remixes for my ‘Club Torsten!’ album and I loved
their strong retro inspired synth melodies the first time I heard them and the way Catrine’s vocals

weave in and out so deftly is just gorgeous!.

Andy Bell, Erasure

SoftWave’s career started with the review of one of their demos in the Danish music magazine
GAFFA. After the release of the debut album ‘Game On’ (2019), it really took off with chart
positions, concerts and radio airplay both at home and abroad (DR P4 etc.).


There’s a bit of Erasure about this SoftWave song, Something Is Missing.”

P4 AFTEN, Danmarks Radio

SoftWave are kicking off 2025 by visiting the UK again! They’ve been nominated as BEST ELECTRO ACT at the Radio Wigwam Awards 2025! You can vote for the band, once a day right here: https://radiowigwam.co.uk/awards_voting/ and tickets can be found here: https://www.trybooking.com/uk/events/landing/71844

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Saliva knocks acoustic set out of the park at Podcasts & Pours 4

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Saliva knocks acoustic set out of the park at Podcast & Pours 4

Podcast and Pour’s 4 kicked off at the Elixir in downtown Orlando, and From the Green Room was live on location catch it. The show featured podcast the BS Podcast, aka Jason Bailey a radio personality that had spent close to 20 years in the Orlando at WJJR rock station, who has recently come back the Orlando area. The BS Podcast now a syndicated show and is featured on WJJR and they replay a condensed version on Saturdays, this being the fourth Podcast & Pours he wanted to book a national band, and Saliva came to mind as a great act to book for this event. In support Jason Bailey also brought along longtime friends of the show Distinct Grace, along with a special appearance by local Orlando artist Riley Resa. 

The show kicked off with some podcast shenanigan’s hosted by none other than Jason Bailey of the BS Podcast, and also with long time show guest members of Distinct Grace, then Distinct Grace would open up the musical portion with some originals and some covers with an acoustic set, along with a special appearance from Riley Resa who would perform about 4-5 songs.  The set would conclude, and the headliner would come out. 

Saliva would take the stage to perform their acoustic set, for a band that does not do acoustic sets a lot, nor did they rehearse they killed it. With a mix of covers from Alice in Chains, Phil Collins and others, along with some of their hits and even a few rare songs that are not heard during live performances in a few years.  Saliva even opened the show with an acoustic version of “ladies and Gentleman” mixed in a few other songs that you would not expect to hear acoustically but were glad you got a chance to, and few kick ass mashups.  For not doing a lot of acoustic sets, Saliva kicked ass on this show, if you get the opportunity to catch Saliva perform an acoustic set don’t miss it.

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DRUSUNA – BEYOND THE GREEN REALM

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DRUSUNA – BEYOND THE GREEN REALM

‘Beyond the Green Realm’ is the highly anticipated second album from Pagan Folk band, Drusuna
(Portugal). Embark on a journey to uncover ancestral roots long forgotten, woven into the secret
language of the forest. A tale of a distant past that still breathes, waiting to be heard by those who
care to listen closely within the serene embrace of the green realm. Here, among the solitude of
towering trees, the air hums with the enchantment of mystery and magic, beckoning us deeper into

the woodland's hidden depths.

Drusuna creates Ritual Pagan Folk music as described in this self-penned quotation: “The connection
to the mother earth is what we pursue through our music. Shamanism is presented in our concept as
a link to the ancestral roots to which we belong. The modern world has reached a level where people
have almost lost their connection with nature. Humans are using and have abused the planet to the
point of no return! Despite their intelligence and technology, most of them are not able to raise their
consciousness to a level high enough to hear the planet’s grief, because they are full of arrogance
and greed. It is urgent to find once again the missing link and connect with nature once
more…Drusuna intend to spread this message through their music. Ritual Pagan Folk music!”
With such a poetic introduction, it is without doubt that Drusuna offer a special listening
experience. Drusuna is a Pagan Folk Band from Gallaecia (Northern Portugal). The roots of the
Drusuna project began in 2009 with Sephirus and brother Alvahagal.  The initial idea was to create
primitive sounds with only organic ethnic musical instruments made from wood, stones, and other
natural elements. The main idea was to build something directly from the roots of the earth,
because the call of nature was the driving force behind each project. After two years of productive
rehearsals came the concept of their debut album, ‘Kaytos Kom’ (2016). Drusuna left the forest and
hit the stage in 2016 at Oestrymnis folk festival, Ponte da Barcacelt folk festival and other stages
throughout Portugal. In summer 2017, Drusuna signed with Friendly Folk Records and March/2018

found the release of ‘Kaytos Kom’ in a digital and physical format.  Their singles, ‘Spirits of Ancient
Trees’ (July/2020), ‘Solitary Woods’ (March/2021) and ‘The Eldon Grove’ (Sept/2022) pave the way

for their brand-new album ‘Beyond The Green Realm’!

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LUNA KILLS Announce New Album “DEATHMATCH”

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LUNA KILLS ANNOUNCE DEBUT ALBUM DEATHMATCH

BAND SHARES VIDEO FOR NEW SINGLE “SUGAR RUSH”

Rising Finnish alt-metal force LUNA KILLS are making waves with the announcement of theird ebut album DEATHMATCH, set for a worldwide release on April 4 via SharpTone Records. DEATHMATCH is a powerful collision of vulnerability and aggression that captures the chaos and conflict within the mind with unflinching honesty. The album’s raw and electrifying tracks delve into the complexities of mental health and the longing for escapism.

Following the success of their crushing debut single “slay ur enemies,” LUNA KILLS are keeping the momentum alive with the release of their second single, “sugar rush.” The electrifying track balances ferocious riffs with haunting melodies, capturing the exhilarating highs and devastating lows of chasing fleeting thrills.

The band explains, “‘sugar rush’ captures the drive to pursue happiness in the face of persistent self-doubt. Centered around the struggle to find happiness despite a constant sense of never measuring up, the song delves into the pressures of a world that demands overachievement and monetization of everything, ultimately draining the joy from passions that once gave life meaning.”

Reflecting on the song’s creation, the band adds, “At the time, before we started writing ‘sugar rush,’ we had been working on other songs for a long period of time and we felt really exhausted and after multiple failed attempts of trying to force ourselves to focus, we felt that we needed to reset our brain and mindset. ‘sugar rush’ became a powerful outlet for all that we were going through, a way to channel exhaustion and frustration with the pressures of perfectionism and constant productivity. The creative process itself almost became a form of catharsis, a reset, allowing us to confront those feelings directly and then transform them into something meaningful.”

LUNA KILLS have also revealed an exciting lineup of tour dates and festival appearances, starting with select shows in Finland and culminating in an album release show on April 5, 2025, at On The Rocks in Helsinki. They’ll hit the stage both as headliners and in support of notable acts such as Blind Channel and Warmen, bringing their ferocious live energy to fans across Europe. 

DEATHMATCH TRACK LISTING:
“love u”
“LEECH”
“SADIST”
“sugar rush”
slay ur enemies
“hallucinate”
“WAVES”
“get mad”
“burn the world with me”
“fever dream”

ABOUT LUNA KILLS:
LUNA KILLS are, without a doubt, one of the most refreshing modern metal act in the scene, combining alternative and nu-metal vibes with electronics inspired by game soundtracks. Their frontwoman Lotta, with her jazz singing background and incredible fry scream vocals, brings the audience to their knees — unless they are speeding around in moshpits, as often witnessed in their fiery live shows. Even as newcomers, LUNA KILLS have already opened the door to their beloved gaming world as their music is featured in the hit mobile app Beatstar. The band, first formed in 2019, has now taken their first steps on European stages, gained the attention of multiple rock radios in their native Finland and are moving forward towards their first full-length album with SharpTone Records.

LUNA KILLS ARE:
Lotta Ruutiainen — Vocals
Samuli Paasineva — Guitar
Jimi Kinnunen — Drums
Lassi Peltonen — Bass

LUNA KILLS ONLINE:

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MELON KALI’Flagship’

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MELON KALI 'Flagship’

Ahead of the release of their upcoming, energetic new single ‘Flagship’ the band uncover how it
came together “We did a writer’s camp with the band, and normally we jam together and record that
so we can work that out later. This time, we wanted to try something else. Everybody came up with a
word and Vivian made the lyrics out of that with melody in a separate room. Then we came back
together again and she sang the chorus of ‘Flagship’, and the rest followed. The band immediately

had a vibe and idea which fitted perfectly for the song.”

On the important meaning behind the track, Melon Kali explain how ‘Flagship’ is “about an
outstanding woman in the club. She inspires all the other people in the room to dance but nobody
dares to come near her. She is the one everyone is looking up to. This song is a nod to female

empowerment, we treat all women like flagships.”

Melon Kali are a Dutch group, featuring singer Vivian Tarmidi and producer/bassist Marc Sokpolie.
They had been making songs in a self-wrought style on the fringes of R&B and Boogie Funk, which

they wanted to hear more of, but it didn't seem to exist yet. Their first single ‘Insane’ was released in

2016 and it was immediately picked up by multiple Spotify playlists.

Their first album ‘888 Fears’ came out in 2023, which is when they played their first live show in
Amsterdam. Since then, the group has grown to a power quintet, with Stan de Kwaadsteniet on keys,
Davy Henket on drums and Lévy Simon on guitar. The band is heavily influenced by the likes of
Stevie Wonder, Prince, Sly Stone, but also Victoria Monét, Cleo Sol, Anderson. Paak & The Free

Nationals and The Internet.

Songs spring to life in the group’s extended writer camps, where all the members experiment in the
Boogie Funk laboratory. Following ‘Flagship’, in the new year Melon Kali will unleash a fresh new
album called ‘Lilac & Lime Green’. Filled with carefully sourced R&B, soul, funk, and emotion, the
first singles from this new effort, ‘If You Only Knew’ and ‘Flower Fields’ have been well received.
Their new single ‘Flagship’ will leave its listener instantly wanting more from the band, and on
January 29th 2025, Melon Kali will appease that request with the release of ‘Lilac & Lime Green’!

Melon Kali can be found here:

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TSS Share “DEAD!” (Feat. CVLTE) Video

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TSS Share "DEAD!" (Feat. CVLTE) Video

FRENCH METAL BAND TSS (FORMERLY THE SUNDAY SADNESS) SHARE VIDEO FOR “DEAD!”(FEAT. CVLTE)

FEARLESS RECORDS recently welcomed French metal alchemists TSS (formerly The Sunday Sadness) to the label’s global roster. 

The band has steadily built a reputation with its innovative blend of emo, metalcore, alternative rock, and synthwave. They’ve recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. The band quickly solidified its lineup with John on guitar and vocals, and Hugo on Drums.

TSS bring the synths and the riffs on their new song “DEAD,” featuring Japanese group CVLTE. The song gets an added dose of heat from the layered vocals and lyrics which are partially sung in the band’s native French language. All of these elements make for a truly cross-cultural metalcore anthem that cycles through multiple moods and tempos, as well as different genres, like pop and nu metal, in the space of a few minutes. The guitars have infinite girth, while the catchy chorus “I’m addicted to the pain” will wrap around your cerebral cortex and stay there. The quiet-loud dynamics and the industrial crunch that defines the closing breakdown are as explosive as it gets. TSS will take you to plenty of musical spaces and places on “DEAD.”

“Our new single, ‘DEAD!,’ marks a turning point for us,” the band states. “After years of mutually admiring each other’s work and wanting to evolve the emo scene on our respective continents, we’ve finally joined forces with the Japanese band CVLTE. Since 2019, we’ve been exchanging, sharing our inspirations and visions for the future of the genre.”

TSS further say, “‘DEAD!’ is the fruit of this unique collaboration: a song that blurs boundaries, fusing our influences and musical identities to redefine what alternative rock music can be today. This collaboration goes beyond music; it represents the union of two worlds passionate about alternative genre, fueled by two different cultures.”

Regarding the accompanying video, the band says, “Shooting the video here in Europe, with [singer] Aviel by our side, was a powerful experience, symbolizing the culmination of several years of connection and creation. The result of this teamwork is DEAD! A powerfull hit radio song about toxic relationships, that mixes trap, metalcore, and cloud rap. In addition to the music, we have forged a strong friend relationship with CVLTE. This collaboration is just the beginning of long series of other featuring between the two bands.”

It follows “Killing Me,” their debut single for their new label. The visual is inspired by The Matrix and ’00s-era horror films, and it will transport you to the glory days of aughts art.

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Freemoor Shares Soulful Rock Song “Affliction”

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Freemoor Shares Soulful Rock Song "Affliction"

as Vegas based Rock artist Freemoor is sharing his soulful new song “Affliction”.  The track was produced by noted session guitarist and producer Adrian Andres (Cirque Du Soleil, Maeve) at Mouse Trap Studios in Toronto, Canada.  Freemoor will be debuting the song live in Los Angeles at the Viper Room on Tuesday, 11/19.

Affliction” is an homage to the unfortunate demise of creative people who have succumbed to their demons, and left this world at a young age and far too soon. It combines a powerful, soulful vibe with an edgy rock sound – it’s a mix of Bad Company meets Lenny Kravitz, with a dose of Gary Clark Jr.   The song has an earworm, driving rhythm with bombastic guitars throughout, buoyed by bluesy, intensely soulful vocals.   

Freemoor says “There are so many legendary stories regarding the unfortunate demise of many divinely talented people who have graced this earth – only to succumb to their demons and leave far too soon. “Affliction” is a tribute to these unique individuals – but also acknowledges everyday people who deal with and suffer from various maladies of the mind and soul.  From Amy Winehouse to Marilyn Monroe, to more recently Liam Payne – many true and untrue stories are told about these people. They are blamed for things they were not wholly their fault and not recognized for their disease and are unjustly maligned”.

 

About Freemoor:

Freemoor is an Las Vegas based Rock artist who has an eclectic, soulful vibe. The talented bassist and drummer has influences ranging from Prince to Queen, Lenny Kravitz and Seal, to David Bowie and Chris Cornell. His music is a nod to the past while being thoroughly modern. He leads you through a thoughtful journey and fills you with three minutes of various emotions while giving the listener an electric charge.  His tag line is “Free to do moor” – he encourages people to be their best authentic selves. Follow your own path and be comfortable with yourself, no matter who you are.  That message shines through in his music.

Freemoor has previously released several singles, including “Shine” (2024); Jump N (2020); Confess (2019); Alive (2019) and a cover of the classic Cream Song “Sunshine Of Your Love”.  He is in the process of finishing up his debut album, which is slated to be released in the spring of 2025.  Tour dates are being booked to coincide with the album release.

 

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 MOLOTOV SOLUTION Continue Their Relentless Resurgence with a New Anthem of Oppression; “Mortis Imperium”

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MOLOTOV SOLUTION Continue Their Relentless Resurgence with a New Anthem of Oppression “MORTIS IMPERIUM”

Friday, November 22nd, 2024 – Las Vegas, NV – Following their explosive comeback earlier this month with “Devour The Children,” Molotov Solution, the politically charged deathcore stalwarts, return with their latest single, “Mortis Imperium.” Picking up where their previous release left off, this new track dives deeper into the brutal cycles of ideological resurgence and the cold, systematic exploitation of humanity. Fans can stream the new single HERE and watch the official music video HERE.

Speaking on the release of their second new single, Molotov Solution frontman, Nick Arthur states, 

“With ‘Mortis Imperium,’ we dive into the cyclical resurgence of oppressive ideologies and the brutal reality of systemic exploitation. This track draws parallels between ideology and faith, painting a stark picture of humanity as simply fuel for the war machine. While our first single ‘Devour the Children’ confronts betrayal in the pursuit of power with melody and madness, ‘Mortis Imperium’ leaves listeners with a haunting reminder of government-sponsored death conveyed through unrelenting drum grooves, punishing riffs, and back-breaking heaviness.”

Molotov Solution’s 2011 album, Insurrection, is widely regarded as one of the most influential deathcore releases of its time,

shaping the genre for years to come. Sadly, the band went on indefinite hiatus after its release leaving a huge influence but a

gaping hole in deathcore genre. On November 1st, they emerged from a decade-long hiatus with their powerful new single, “Devour The Children” a brutal and rageful statement of intent heralding the band’s timely resurrection. Known for their fearless approach to exposing corruption and power struggles through their music, Molotov Solution’s voice is more vital than ever, delivering an unflinching soundtrack to the turbulent times we face with the fierce intent to challenge and resist.

Continuing a legacy of fearless commentary and crushing musicality, Molotov Solution give voice to the defiant and the dispossessed through their unique and hyper-influential brand of deathcore. With plenty more to come, “Mortis Imperium” is another bold step in this renewed chapter of Molotov Solution, leaving no doubt that the band is back and more furious than ever.

ABOUT MOLOTOV SOLUTION

Molotov Solution returns in 2024, reawakened after a decade of silence with a renewed fire and an uncompromising vision. Known for their politically charged, ferociously heavy sound, the Las Vegas-based band is ready to reclaim their position at the forefront of extreme music. With a legacy built on confronting societal corruption, power struggles, and injustice, their return is a statement: the fight isn’t over, and neither are they.

Molotov Solution has always been more than just a deathcore band. They are a voice for those who resist, a sonic assault against the systems that oppress. As they step into this new chapter, they carry with them the same relentless energy that defined their past but with a sharpened edge and a deeper urgency. In a world that seems more chaotic and fractured than ever, their music is not just relevant—it is essential.

Fans can expect new music that continues to push boundaries, both sonically and lyrically. Their signature blend of heavy, gut-punching riffs and politically infused messages will drive their upcoming releases, which promise to be as intense and confrontational as ever. 

With new music and renewed determination, Molotov Solution are ready to unleash a new era of heavy music that will resonate with old fans and new alike.

Find Molotov Solution Online

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 Bury Tomorrow Announce New Album “Will You Haunt Me, With That Same Patience” + Share Video For New Single “What If I Burn”

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BURY TOMORROW ANNOUNCE NEW ALBUM WILL YOU HAUNT ME, WITH THAT SAME PATIENCE

ALBUM ARRIVES MAY 16

NEW SINGLE “WHAT IF I BURN” OUT NOW

For Bury Tomorrow, the last two years have been about trying to fill the space where they knew something was missing.

From the depths of uncertainty, through line-up changes, and COVID-inspired road blocks, the arrival of guitarist Ed Hartwell and keyboardist/vocalist Tom Prendergast and the creation of 2023’s The Seventh Sun has allowed them to lay out a whole new path of possibilities that felt unavailable before.

Now, with an invigorated belief and fresh outlook on what the band can encompass, they present Will You Haunt Me, With That Same Patience, their most fantastically visceral offering to date. Pre-save/pre-order it here.

Crafted more intimately and intricately than ever before by internalizing every aspect of the writing process, with Carl Bown [Sleep Token, Bullet For My Valentine, While She Sleeps] manning production duties for the first time, the result is a profoundly personal, extraordinarily expansive and punishingly grand display of cathartic craftsmanship.

Born from a shared sense of frustration in feeling an ever-shifting disconnect from the state of modern society, the band have created an earnest, heart-wrenching and definitive look at the overlapping effects of brutal self-sabotage, crippling anxiety, fierce despondency and the never-ending search for peace and clarity in a world so full of noise. It is a record about division as much as togetherness, an outpouring of personal devastation but a hopeful reminder that we are all navigating it together.

Atmospherically stirring new single, “What If I Burn,” centers on the tricks that our mind plays on our perception of existence, interactions and connections.

Watch the music video here.

“To haunt is to revisit or recur persistently to the consciousness of someone or something,” explains guitarist Kristan Dawson. “There’s beauty in that commitment somewhat. In a world full of distraction, discourse, instancy and demand, patience seems hard to attain. In patience, there is peace, one thing society is short of. The title serves as a call of reflection, relying on the present moment, remembering what truly matters. I think the notion of patience being haunting is quite a contrast and that’s certainly reflective of the album musically.”

Within such deep sonic exploration and shared emotional understanding, and despite its bleak outlook on things, Will You Haunt Me With That Same Patience still strives to represent that lingering presence, that hope, that reminds us that this isn’t the be-all and end-all of this existence. That things can change for the better, just like we can change for the better with it, and persevering through such separation will bring us back around eventually. We just have to weather the storm and trust in that feeling to pull us through.

To have allowed themselves the time and space to reach this point of comfort and confidence now feels like a starting point for everything that the band will do in the future. Expanding their empire in all corners of the world and delivering their biggest statement of intent to date is the beginning of a whole new chapter in the story of one of the most devastating and dedicated assets to British heavy music

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